Social Distortion...

 Have you ever seen the magic documentary "Make Believe"?

If you can't come in first place...

For those who have not, it captures the magic convention competition scene in it's death throes. These kids were basically the last generation in the magic competition scene, at least in North America.

There was a time when acts "came up together" in the competition circuit. Imagine seeing Juliana Chen, Jason Byrne, Greg Frewin and James Dimmare all vying for a shiny paper weight to put on shelf that said they were "the best"TM.

These acts would see the others other perform, most would be friendly towards each other, and even offer words of advice and encouragement (at least from various reports I've heard). As they would get booked at gigs they might suggest some of these other acts for next year or to be on the same bill. It was, an albeit small, community with many of what we now know as top pros of their time.

I feel the camaraderie has moved overseas as other countries like Spain and Korea have taken to magic as a serious stage art.With conventions like FISM Asia, the competition is a little more stiff with some heavy innovations in what one can get away with in a manipulation act. There is also more emphasis on things like character and originality than we foster here in North America.

So what happened? Well, many of the prestigious competitions here are either gone or their luster has faded. Desert Magic Seminar and the Golden Lion Head's award (celebrating originality) are defunct. The international conventions such as SAM and IBM are often used as stepping stones to FISM but the performing level of the contestants has dropped over time due to the lack of opportunities to hone an act.

The internet is a bit to blame as well as is typically the case. While new info can be seen and shared instantly, you also don't have to wait a year to see your friends and the new stuff they've been working on. There is also a much bigger emphasis on being seen by as many people you can instead of crafting an act and skill set that will carry you across the globe.

As usual it's not one thing that kills an idea, it's a slow build of many factors. Until another "prestigious" opportunity arises that provides notoriety, (as well as monetary gain), it's going to be some time before we see another magic competition scene like the ones we had before.

F in the chat for magic competition.

I think we're lost...

I have been catching up on the FISM reports today. It's interesting what plays for magicians and is really just for them and not so much for non-magicians. I have heard it said that the best kind of magic can be described in one sentence. "He put my bill in a lemon", "He cut the rope in half and put it back together" or "Use the word etcetera in a sentence".

 I think the biggest problem is we take a simple idea and convolute the holy hell out of it. I have a new bit which is a variation on a classic. The effect by itself gets a fine enough reaction. It's simple and to the point. A friend wanted to see something else tacked on to the end because he thought the initial effect was kind of bland.

This my friends is magician logic. Let me tell you something. Sometimes good enough is just that. My friend had a saying on his desk at his music studio. "Remember: Not Too slick". In the pursuit of trying to make something "perfect" (or in this case more "magical") you can actually screw it up. Sure the magicians would eat it up and give you bonus points in a meaningless competition, but will it play in Peoria?

Sometimes going that extra mile is ok and a routine NEEDS it. However you have to make sure it really needs it. If it's simple to follow for the simpletons you might not win any trophies but the real world might just love you for it.

Sometimes too much is too much.

Hey magician, leave those kids alone...

This is a post I have been sitting on for a while.

Someone associated with the SAM (which stand for "Some Are Magicians" I think) in an online podcast asked for ideas on how to get younger people to come to magic conventions. The problem with asking something like this is they are going to get many answers, but will ignore the ones they don't agree with even if they are right.

My one big piece of advice is actually hire people younger kids wanna see. No offense to Johnny Thompson, but how many conventions a year does he do? Why not do some research or maybe even ask who they younger generation would care to see? Who would they shell out cold hard cash to go hang out with in person? Why not fire these close minded gits who don't know jack about the modern magic world and just keep hiring who THEY want to see?

This brings me to other sad truth about all of this... The younger generation doesn't need conventions anymore!!

They have skype, facebook ,and even online lectures now. They no longer need to shell out cash they don't have to interact with performers and friends. They don't need a dealer's rooms. They can get all they need on the internet. If your convention cannot offer up something they can't get elsewhere you will NEVER get your numbers up. There is no incentive anymore.

This is one of the many reasons so many magic conventions have died over the last year. We don't need them. Evolution is weeding out the sick and old. Oh sure you still get younger kids coming out who are actually serious about the craft, but your hobbyist market is done for unless you can deliver and let's face it, most magicians could barely deliver a pizza.

Time to grow some thumbs or get left behind.