Watch your head...

But first, watch this video.



Consider every live action mixed with animation movie you have seen in the last 20 or so years. Roger Rabbit is hands down the best. No argument. To be fair, I can forgive Cool World because it was quirky from the get go.

This video makes a valid point and it's something I have been talking about for years. When you do something for the love of the craft and because you care enough to make something great, it shows. Giving a damn is the biggest secret to creating amazing art. It's the truly obsessed with the focus to detail that make things that stand out above the rest. (Tempered with other knowledge of course. Being brain damaged about certain subjects doth not guarantee success.)

So go ahead. Bump the lamp. Don't you want to be remembered for generations like Roger Rabbit?

Or would you rather be... Space Jam?

Sound Philes

Riding on the coat tails of yesterday's post about grumpy know-it-alls, let's talk about people who think there is only one path and that will be good enough to get them through life FOREVER.

I got into a... let's call it a discussion... on one of the FB magic groups about what's best to run your sound with and how. Some of you might recall my guide on running your own music for your shows. Well it seems some people would rather not have music at all if they don't have a sound man. This baffled me and I had to jump into the fray to understand where they were coming from.

There is a camp of people who (claim) to always work with a soundman and will pay for them to travel with them and run their music and say that is the ONLY way to go. These people have clearly not tried to make a living in the last decade or so as that is not always an option. What you pay out for a sound person could be almost the entire fee for a gig in some circumstances.

Obviously it's great if you work a venue that has someone else run your music for you. (Someone who is competent that is. You'd be surprised how many people don't understand the concept of "play" and "pause".) Sometimes it's just not feasible to have someone travel with you be it for lack of space or money.

What I told these "experts", who turned their nose up at the mere thought of running their own music from their pocket, was that they should learn to do it BOTH ways. If your sound guy/girl dies, gets sick, or just gets tired of your bullshit and quits, you are then left high and dry. If you have a solo system you have learned as a back-up you will never be in that position. It's similar to those who prefer to work only with a headset mic and get lost when forced to use a hand held. When you don't learn at least a little bit about the options you have to help run a smooth show, you will suffer and so will your audience.

So heed my advice people! Learn to run your own music but have a cue sheet in your bags for that lovely rare time you can bring along a sound person or the venue happens to have one that doesn't seem like they are from a work release mental patient program.

Like Scar said, "Be prepared!"

And we wonder why...

Why is it kids don't go to magic meetings or conventions as much as they used to? It's a mix of things. One of those reasons is they don't need those meet-ups to have meet-ups. With skype and facetime and other video medium they can share their creations immediately with each other. They don't have to wait a whole year to see and share what they have been working on. (Whether that's for the better or worse is a whole other post)

The other reason kids avoid these places are the grumpy old fucks who just want to dole out "advice" in the form of close minded rhetoric. Advice when delivered objectively is great. When it's delivered as law and nothing but this or that is right and you are wrong is not advice.

"Well how do they know that's gonna happen at a magic convention or meeting?", you ask? Simple. It's because they get this treatment online in the magic groups and forums. It happened to me. It happens to others.

A younger magician put out a utility device recently. It's not a bad piece of kit. Yes it bears some resemblance to some other gimmicks on the market but his is indeed different enough to justify it's existence. The problem comes in when the "experts" think something is similar to something else (even when it's not) and start saying shit like this:

"Be careful with that 100% claim.....any slight similarity puts it down to at least 90%."

"Has anybody NOT figured this out immediately?"

At this point they are just poking at the kid with sticks for no reason.

"But the lay people will want to examine the cards!" (Ah the mating call of the common amateur in the magic market place. The creator then explained he goes over how to have the cards handed out and examined and then got the following response...)

"Just because they don't ask doesn't mean anything other than you are too detached. You are cheating them out of a magical moment by leaving them with an unsolved puzzle. No more free lessons from me...get out your checkbook." 

Another "expert" decided to chime in with this:

"It is the magician that gets the (stronger) reaction, not the cards. I would love to meet you and prove my point. I can follow you with the two card Monte and get a stronger reaction than any of your four routines."

Dick move old man. The younger follows up with this:

"That's a bit harsh. You're basing your opinion on my skill as a perform off of a trailer. You've never seen me perform at a gig. To assume that you could easily get a stronger reaction is ignorant."

To which he gets THIS reply:

"Sorry. I wasn't talking about you as a performer but about the trick cards. (Nice backpedal there but you totally did.)  Makes me wonder why you still (7 years doing the trick) feel a need for trick gadgets?" (Wait didn't you just challenge this kid to a duel with 2 card monte which is a gimmick?)

As the final insult, after constantly comparing his gimmick to another one that is NOTHING like his, the younger magi put his foot down. The "wiser" guy replied with this:

"Yep, I was expecting a personal attack...it always happens with those who have no other retort." (It wasn't a personal attack by the way. Just being told he was wrong was enough to feel it was)

Why am I sharing the details of this you ask? It's because I don't want ANY of you to becomes these kind of people. I can already see the guys who are going to be these other people when they are in their 60s and 70s. They are pumped up full of ego and bitterness. They have "retired" for whatever reason and now ride a computer chair doling out advice (yes I recognize the irony of me typing that so shut up) in a world they haven't lived in for some time. 

This kind of stuff makes me mad and no one can/will speak up because you will get the same treatment. In the end, the worst offender of the two messaged the kid, called him a fool, and then blocked him. Sure would make me want to go to a place full of guys like that eh?

This is all I hear when I read stuff like this online

Plan Ahea...

When you do creative consulting it's not always about the tricks. From time to time I get asked to help with promotional material. Many times the performer is just too close to the material and can't see what is good versus what they are too proud of, which is usually everything.

Just because you can make something doesn't mean you know how to make it look pretty. Far too many magicians take their own promo material into their own hands and just make a mess of it. How many "professional" photos have you seen done in a badly lit living room? Ever tried to sit through an 8 minute promo video? How about websites that look like a blind person made them using a free wix template?

The Struggle is Real...

If you realize that you suck at something (And stop being a cheap ass) go to someone who knows what they are doing. Not only does this free you up to do what you are good at, but it also gets you actual results.

With all of that in mind, should you decide to get a new website done do yourself a favor and book a photoshoot with a good photographer too. You want to plan out your website instead of just lazily plugging in images and videos into a template. Get photos that are website specific that show off the look and feel of your show/ character. If you know what you are doing ahead of time, you can visualize what you need.

Pictures of you holding signs, or looking up or over at important information. In the end it looks more professional and thought out. There is a reason a rock band changes their website to match the aesthetic of their new album.

If you want meat, don't go to a baker.

Flip it over...

So I was watching an episode of NCIS (don't judge me) and there was a great line that got me thinking and thought I would share.

"Nobody posts their B-sides"

This is in reference to the internet and it's very true. People only put their BEST online. They try 50 times and pick the best version. (especially when it comes to magic trailers but don't get me started on that)

It got me thinking about all of the footage I have. How much of it is only "ok" and how much is good. Sometimes it's fine to show off some of our flaws. (So long as it doesn't expose anything obviously) In my circle, we sometimes talk about the difference between professionals and amateurs. One that I always bring up is amateurs won't talk about their bad shows but the pros wear them as a badge of honor. Don't be afraid to fail. You might learn something. About your magic and yourself.

With that in mind, here is something from one of my recent performances.

Leading the blind...

I have noticed the currently younger generation has something the older generation didn't. No it's not faster downloading porn. It's arrogance and ignorance.

I'm not saying it didn't exist in magic in the old days but it seems to be running more and more rampant. A lot of people know everything about nothing.

There is an article I read called "The Death of Expertise". I don't entirely disagree with it. There are far too many people who are experts on subjects they barely understand. It's like watching a leper give skin care tips.

Like the leper said to the prostitute...

What's worse is the rampant passing of information by the uninformed. We have amateurs teaching amateurs. People who don't know things teaching people who want to know things. It's breeding a new crop of, and I use the term lightly, magicians who can't perform. They can only create "new" magic that looks good on camera. They then go out and teach their wondrous miracle to people who don't know better and thus infecting the entire hive with misinformation. It's a never ending cycle.

Artists rendering of an upcoming magic convention in 2017

If you find yourself reading this and getting angry, you might be one of the ones who needs to take a step back and realize you could learn a thing or two. Put down your camera and cards and go learn how to actually perform in front of real people before you tell someone else how to do it poorly.

"It's better to know 4 things really well than 100 things badly" - Tom Mullica

   

Colorblind as a bat...

Can you remember a time before Sharpies? I mean, the company has existed since the 60s but they didn't really take off until the 90s for magic. I got my first (and only) Sharpie thru bill in 1997. It was basic black. However since then a myrid of basic and exotic colors have come out. Some guys have built an entire career using them...

Maybe these will distract you from my Ramsey Subtlety?

Color Match

If you have been performing for 20 years or 20 days, you have likely had someone sign something. If you are in the USA it was with a Sharpie. My questions is this: Was it the right color for the job?

Believe it or not, there are certain colors that you SHOULD be using when you have items signed. I'm not some marker racist, but color does matter.
 

• Blue: This color is our preferred go to for playing cards. Black and red just blend in and if it's a free choice it's a crap shoot. Blue will pop against any color, even court cards. 
• Red: Don't you EVER have an American bill signed with a black marker. It is impossible to see even from up close. Red is the way to go. It can be seen from a very far distance and gives you instant recognition.
• Black: For everything else. Black is good for things like balloons, coins, or other things with a good contrast.

Size DOES Matter

When you work anything other than close-up (and even then) you need the markings to be visible. By using the larger "Chisel tip" style markers, you increase the readability of the markings your helpers leave. Mac King has people sign a card with a HUGE marker.

This came with my Bowl-A-Rama but &$%# that trick!

It's the small details like this that come with performing, experimenting and caring about your audience and what they see/perceive.

Who are we to argue with Mac King?

Truth in advertising...

This might be the most honest and accurate shirt to represent the current generation of magicians I have ever seen.

Like a pin drop...

I wonder if magicians can hear the sound of an appearing metal cane. Do they think the loud sound of rapidly expanding spring steel is what magic sounds like when it's happening. I got news for you. If you can hear it, so can everyone else.

I can't hear you over the sound of how awesome I am.

There are ways to do it where it doesn't sound like a pterodactyl swooping out of the sky. There are (read: were) canes that used to be pretty damned silent but good luck finding those for a good price. You could use plastic but they usually look like crooked and wobbly. 

Personally I prefer the production out of a scarf like Shimada and Dimmare were oft to do. (If you don't know what I'm talking about Scott Cervine can show you.) 

So next time you want to fire of an appearing cane ask yourself, "Is this what magic sounds like or am I just fooling myself?" 

It's likely the latter.

The king's throne...

Here is a random idea I just thought of....

Put a mirror across from your toilet.

Not a full length one. There is no need to get that intimate while doing "paperwork". However something that sits about shoulder height and up can be beneficial. It's like having sex in a public place. You'll get used to it. (and there is less of a chance you'll get arrested)

This will help you in two ways:
I. you can work on your facial expressions which are very important when it comes to performing and conveying emotions. Far too many performers don't know what to do with their face. This will give you the chance to work on it.

II. It will get you more comfortable in awkward situations. If you can maintain eye and make faces at yourself with defecating, you can do most anything. Getting over those feelings of embarrassment are part and partial to being a good entertainer.

Besides, it's not like you're going anywhere...

Let's define the terms...

This shit right here makes me mad.


These companies are allowing half wits with half baked ideas to get an ego about being inventors and then they start touting themselves as such and then pump out MORE magic bile into the world.

Let me get something straight here. Just because you come up with some piddly ass magic trick it does NOT make you a "creator". It makes you someone with an idea.

Also being a "creator" doesn't make you a magician. If you can't perform your own creations you are just someone who makes stuff.

In my opinion, a creator does their due diligence. They research, they perfect, they make something the best it can be. What companies like Murphys are perpetrating is if you come up with some terrible idea they can help make it "marketable" thus making them more of the creators and the person who comes to them a kind of figurehead. "We did all the work to make this not suck but because we can't just cut this idiot out of the loop we have to put his name on it".

I don't care if you don't agree with me or think I am way off base. I am just sick of our profession being choked with mediocre magic and fevered egos who think they are somebody because a bunch of pre-pubescent humans think they are hot shit.

Obviously this doesn't go for EVERYONE. Some people are prolific creators. (Not necessarily GOOD ones) However in magic everyone wants to be on par with the people who have achieved legit "fame" for making something and magic companies keep enabling this to happen.

The urge to create is deep in our core and I understand that, but too many are creating for the wrong reason: money. If you create for yourself and your audience, the money will come but if you forgo those first steps you are going about it the wrong way.

There's enough terrible magic out there. We don't need sponsored posts on message boards encouraging more greed and terrible tricks.

Thanks Obama...

Avante Card...

Some magicians create magic for magicians. some create for the real world, and a few, create magic that skips madly between the two.

However, one trap I see a lot of guys falling into is trying to put some deep meaningful slant on card tricks. The problem is they aren't writers so their "script" comes off fake, forced, and flamingos (Sorry I needed a third word for the alliteration).

Non-magicians barely give a shit about magic as it is so hitting them with some heavy patter while doing a card trick can fall very flat. In a theater show it's usually fine. Hell some people have made a whole career out of it at this point. However, if you are going to hold people hostage in a strolling situation, you might want to leave the artsy shit at home. Least you find them watching your autistic artistic presentation like this...

 "Why is he talking about snow? It's a card trick..."

I'm not saying DON'T try to be artistic and creative and deep and alla that, just choose your battles. Don't make your script the default for EVERY situation. Read the room. If you're at a bar, chances are they don't want to hear your philosophy on how card tricks give you the chance to "ask questions".

It's not therapy, it's a card trick.

The struggle is real....

Normally on this journal I try to give performing advice or rant about various things that make me mad. However, from time to time I like to offer up tips on things like music or promo photos.

The longer you perform, the more things you pick up. Some of them are noticeable, while others remain hidden in the shadows.. and by shadows I mean your pants.

If you perform in a dress shirt and at any time put your hands up over your head (or anything even close to it) your shirt can come a tad untucked and stay that way.

 Exhibit A

At the very least, it can make you look disheveled. At the worst, it looks like hell in still photos. If you ever get the chance, (and I suggest you make the time when you can), talk to some of the old school pros we still have left. They all have their little tips and tricks for keeping yourself looking top notch on stage. 

It's a little thing called "Shirt Stays" and they totally do what they say on the package. When you first put them on, it might feel a little goofy at first but it's worth it. Not only does it keep your shirt tucked in, but it also keeps it from wrinkling up from normal wear.

Nice and straight. The shirt at least...

So if this kind of stuff is important to you, then you should look into it. You'll be glad you did.

 If not...

 

This could be you.

Magic Live shares a bit...

I know there has been a fair amount of radio silence on this journal. It's not dead and neither am I.

In the midst of performing and moving it's been hard to get worked up about anything in the magic world (that I can talk about anyway)

Regardless, for those who weren't there (or slept in) I did a talk at Magic Live. Lots of people di actually. If you have never been, ML has a lot of information they dole out in various ways. This year they tried something new and have graciously put it online for your perusal/approval. Not all of the subjects will appeal to you but I am sure you will find something you like. I am fond of This One personally.

That should keep you busy til' I get riled up again.

Too true...

I have two images for you that pretty much sum up the problem with, not just the world, but the entertainment business in general.


So many people see great things in the live entertainment world and they just don't give a #&^%. They shrug it off and don't support, share or tell anyone about it. Everything else is so disposable it carries over to art and talent.



This mirrors the other image but the sentiment is a little different.

Still, you get the idea...

There a hole in my pocket... in my cookie...

So I released a product a while back. Not a huge OMG YOU MUST HAS THIS!!111 relase but a release nonetheless.

I realized I didn't put it on here so here you go:


I want to collectively and publicly shame thank everyone who helped out in this video. If you want to know exactly who these people, then the YT video description is what thou seek.

If you wanna buy this silly thing head over to www.bizzaromatic.com

Has it always been this way?

In Vegas we have had conversations about if bad performers know they are bad or if there has been this many terrible magicians in the past?

I think the answer to those questions are NO and YES! Together these two answers form a perfect union of lackluster magic.

With Your Powers combined... I SUCK!

I understand having enthusiasm for the craft. I totally get it. However, what I don't understand is not being able to look at a video that is so clearly stiff, so badly performed, so badly... BAD that you don't think to yourself, "Maybe I should wait until this doesn't look like ass."

The problem of course is the fact they don't know. (or if they do they don't care). The other issue lies in the fact that you can put something on the internet for the whole world to see before your those synapses fire that tell you something is a bad idea and then you just go with it. The fact is that technology is so accessible to everyone that we get to SEE more bad magic whereas these guys (and gals. They can suck too) would just sit at home in the mirror or go to their local magic club and be bad. They were just a danger to themselves locally. Now they can be aggravating globally.

Wanting to get feedback to improve is fine. Do that. For the love of Dr. Blight, don't post every little 45 second brain poop you think is "good". Remove yourself from the equation and ask, "Is this the best I can do?" and if the answer is "maybe" you might want to hold off hitting that upload button.

The internet is forever....

Is it me you're looking for?

Hi Blogger land. Remember me? I've been gone for a while. It's nothing you did. I just haven't been that angry about anything for a while.

Well that changes today... but first...

If you don't read The Jerx you should. He just posted a great article (That was picked up on Boingboing which is how I saw it) about when spectators of magic become suspicious. He says, and I quote, "Suspicion is brought on by an unnecessary expenditure of energy on the part of the magician." (There now you don't have to read it but you really should anyway you lazy bastards)

Vernon was known for eliminating unnecessary moves from his, and others, magic. So much magic has weird ass extraneous gestures it makes you wonder if some guys who made up these tricks had palsy.

King of shaking the Aces

While you think about that, and how much of an asshole I am, can I just say how disappointed I am in magic "creators" lately?

I have been in Europe the last 3 weeks consulting for a TV show. We have gone through a lot of magic that we either bought or ask permission to use. The problem? Half of it is only good for straight to camera. They are so damned impractical to do for real people it's unreal. I knew it was bad but I had NO idea it had gotten to this level of absurdity.

My warning to all of you reading this, if it's hyper visual on a magic demo, there is a 90% chance that you will never be able to do it for anyone, not even your dog. Hell maybe not even yourself in the mirror.. standing 10 feet back... in a dark room.

Also, how many tricks out there now are just flaps, elastic thread, and magnets? Here is a hint... ALL OF THEM!! I have had to improve or fix so many of these, for the sake of argument let's call them ideas, it's infuriating. Half the time they don't work or they break after a few uses or a mix of the two.

I hope all of you who are making money off this terrible magic, individuals and companies alike, get what's coming to you...

A real job.

Looking Back...

The older I get and the more young magicians I meet, the more I want to slap them around a bit and tell them to look into magicians and magic from more than 5 years ago. I understand many people are victims of the times in which they live but to assume that some of the current "magicians" out there know what the fuck they are talking about is just silly.

I even know that the serious students will look further back and they are the ones who will succeed but someone needs to tell these kids to look back past the internet.

Keep yo pimp hand strong....

Awfully crowded...

Dear Magicians,

Crowdfunding websites like Indiegogo and Kickstarter are not there for you to use as your own personal street corner to panhandle on. Don't ask people to pay your trivial medical bills, rent, or get new props. Unless you have a million Twitter followers no one is going to care nor take you seriously. (If you have that many Twitter followers you likely wouldn't need that stuff anyway)

Thanks,

The Mngmnt.